Statues are often idealized works of art. They are ideological, political or religious representations and attempt to turn their subjects into fascinating, eternal figures. Even when erected to keep alive the memory of a single person, a statue that lasts many generations will eventually establish itself as a symbol for the community.
Statues are even more influential when they are monumental. An edifice can be said to be monumental when it is unusual, extraordinary and physically imposing. It has to be abnormal — as exceptional as the political or religious power itself — and also inseparable from its symbolic aspects.
The series “Colosses” is a study of the landscapes that embrace monumental commemorative statues.
[The United States is an oligarchy, not a democracy.] …[F]indings provide support for two theories of governance: economic elite domination and biased pluralism. The first is pretty straightforward and states that the ultra-wealthy wield all the power in a given system, though some argue that this system still allows elites in corporations and the government to become powerful as well. Here, power does not necessarily derive from wealth, but those in power almost invariably come from the upper class. Biased pluralism on the other hand argues that the entire system is a mess and interest groups ruled by elites are fighting for dominance of the political process. Also, because of their vast wealth of resources, interest groups of large business tend to dominate a lot of the discourse. America, the findings indicate, tends towards either of these much more than anything close to what we call “democracy.”
In either case, the result is the same: Big corporations, the ultra-wealthy and special interests with a lot of money and power essentially make all of the decisions. Citizens wield little to no political power."